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Kenneth Edward Untener (August 3, 1937 – March 27, 2004) was a Roman Catholic bishop, serving the Diocese of Saginaw from 1980 until his death. In 1999, Bishop Ken Untener of the Catholic Diocese of Saginaw decided to create a Little Black Book, which would use the prayer tradition of Lectio Divina to help people pray the Passion of Our Lord. Besides an English version of the book, there was also a Kenneth Edward Untener (August 3, 1937 – March 27, 2004) was a Roman Catholic bishop, serving the Diocese of Saginaw from 1980 until his death. In 1999, Bishop Ken Untener of the Catholic Diocese of Saginaw decided to create a Little Black Book, which would use the prayer tradition of Lectio Divina to help people pray the Passion of Our Lord. Besides an English version of the book, there was also a Spanish edition, and a children’s book (Little Purple Book). Although Bishop Untener died in 2004, he remains the inspiration for the Little Books. His Little Books staff continue to produce Little Books each year for the Advent/Christmas, Lent and Easter seasons, based on Bishop Untener’s writings. They are also producing four Stewardship books in light of the four Gospels. ”forgotten country towns draped in a patina of grey stone and flaking paintforgotten for better climes and new lives” Frozen in time, draped in a patina of grey stone and flaking paint, their grimy windows blind any sign of life. Abandoned in times of austerity for better climes and new lives, change means nothing here except decay. The tumbled down buildings sit faded and askew on crooked streets, a mossy spire prods the sky where rain is ever threatening if not ever present. A murky river channels muddy waters and cruel bone chilling winds that dull adventure. And yet these towns can catch you out, make you smile, surprise you amidst their unkempt lanes and weedy misery. A cluster of chairs painted with a hippie sensibility declares the survival of wit and humanity. ”It is moments like Tuesday evening – rare as they are – that inspire those of us with a true understanding of and passion for the fashion industry to stay the course an evening of pure magic.” When she first told me that she had secured the venue I knew she intended something special and that somehow she would make light of the weight of history involved in such a choice. Rather than imposing or distracting, those sacred aisles provided a fitting stage that sanctified the craftsmanship, skill and imagination that pervaded a most thoughtful and thought out collection. There was a moment of pure serenity when model Hilary Mohr, pausing immaculately in a burnt rose dress strewn with hand appliqued petals, drew not just the eyes of the entire audience but the breath from every living soul present. While many will have weighed the value of the collection through its rapturous designs, its exquisite fabrics, its precise and considered detail few will know that fashion is a difficult and often solitary business, requiring a deep determination to keep going season after season, year after year. It is moments like Tuesday evening – rare as they are – that inspire those of us with a true understanding of and passion for the fashion industry to stay the course. It would be remiss of me not mention the music too, especially the glorious sound of Anuna – an evocative gift wrapping to an evening where the whole was greater than the sum of the parts. Helen Cody provided a singularly remarkable display of design and craftsmanship and made a very special contribution to the integrity and reputation of Irish fashion. I was thrilled to be there. It was an evening of pure magic. ![]() ”Under the lights or in the final edit of a shoothidden in the complexities of either feeling is a blurring of reality, a blurring of truth.” One film, Neon Demon starring Elle Fanning, is described as portraying a dystopian fashion industry full of psychotic models. In the realms of fantasy storytelling and movie industry commerce such a narrative is likely to draw big box office sales and a continuing exaggeration of model behaviour in tabloid media. As a model agent (15 years) and a show & photo producer (30+ years) I feel it best to get my retaliation in first. The models I have worked with have, with notably few exceptions, proved to be professional, dedicated, smart, personable and kind. They live normal lives outside the glare of studio lights. They raise children to be fully formed and thoughtful adults. They create or support many worthwhile charitable projects. They take all that life offers, good or bad, with the same sense of joy, loss and humanity as the rest of mankind. Under the lights of the catwalk or in the final edit of a shoot they draw both admiration and envy. Hidden in the complexities of either feeling is a blurring of reality, a blurring of truth. There is a world of difference between depictions of lives the audiences wish and the actual lives the models live.
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